How to Play Fast

by Rafael
(Poland)

Question: I have problems with fast, scale-like, semi-quaver (16th notes) passages, which are typical in Mozart sonatas for example. I can't control them at a fast speed. I have issues with evenness of tone as well. Do you have any advice on how to practice them? Thank you.

Albert's reply: The key to playing fast is practicing slowly. You should almost never practice for speed and instead aim for control.





In single-note passages, work to control each keystroke, making sure that dynamics and articulation are perfectly even. Never attempt to play faster than you can play the passage with perfect accuracy and control. The speed will come by itself once these factors have been achieved.

For scalar passage, it's imperative that you know all of your piano scales. If you're a serious pianist, it's absolutely normal to spend your first hour of practice on scales alone. Do practice them with a metronome, since otherwise you'll never achieve the necessary evenness and you'll almost certainly play them too fast. I don't advocate abuse of the metronome since it can risk making your playing mechanical, but scales are one suitable application.

I can't stress enough that evenness of articulation and dynamics is far more important than speed, so practice your scales at moderate tempos only.

You must master all scales in all keys. If you wish to play even one scale well, you must learn all of them. This is the surest way to master the one.

One tip for scales is practicing only the change of hand position. Practice one hand at a time and play only the group of three plus the group of four notes, going back and forth with perfect evenness. For C major, for example, in the right hand C, D and E form the group of three notes (fingers 1, 2 and 3), and F, G, A and B the group of four notes (fingers 1, 2, 3 and 4). You would practice the transfer of the thumb by playing C, D, E, F, G, A, B, then going back down to C, back and forth. In the left hand (descending), the group of three notes in C major is C, B, A (fingers 1, 2, 3), and the group of four notes is G, F, E, D (fingers 1, 2, 3, 4). This amount is safe to practice fast—but only once you have mastered it at a slow tempo. Make sure that your articulation remains even at the fast tempo and that there are no false accents, particularly when passing the thumb.

Finally, as an advanced exercise, transpose the difficult passages into all keys, maintaining the same fingering. Again, play slowly and evenly. Eventually the difficulty will disappear and speed will come of its own accord.

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How to Play Fast

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Aug 14, 2010
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Appreciation
by: Anna

Thank you Albert for all the information I receive in emails. It's all very helpful.

Aug 18, 2010
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Metronome
by: Anonymous

Do you advise to gradually build up the speed of a difficult passage by moving up a notch on the metronome every day?

Thanks for this truly excellent site by the way. It is rare to find such a great site full of valuable information on the internet.

Aug 19, 2010
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Re: Metronome
by: Albert

It's definitely advisable to build up speed only very slowly, increasing by just one notch every day or so. However, I don't advise relying too much on a metronome for this practice.

In general, it's fine to use the metronome at slower speeds (75% or less of performance tempo), primarily to set the pace of your work on that passage on that day. After you set the pace and practice passages at this "objective" tempo, the metronome is best checked periodically during your practice to ensure you're not rushing or making any undesired fluctuations in tempo.

As you approach performance tempo for the whole piece (which should only be in preparation for an immediate performance), avoid use of the metronome, since otherwise your playing won't "breathe" and you'll sound too mechanical.

Music requires time for subtle inflections, no matter how fast we play. Practicing slowly and emphasizing, even exaggerating, these inflections will allow your fast playing to be much more expressive.

Finally, practicing one notch (on a metronome or not) faster every day or so by no means implies that we shouldn't "backtrack" and practice slower. Quite the contrary: Always return to slow practice as your "default setting"!

Aug 15, 2011
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Left hand fingering for C Major scale
by: Andrew Hart

I don't understand this sentence from paragraph 6:
"In the left hand, the group of three notes in C major is C, B, A (fingers 1, 2, 3), and the group of four notes is G, F, E, D (fingers 1, 2, 3, 4)."
If you are playing the C Major scale with your left hand, don't you start (and finish) with your pinky (5)on C and your 4-3-2 fingers on D-E-F respectively? If so, how can you play C-B-A with fingers 1-2-3, or for that matter, G-F-E-D with fingers 1-2-3-4? What you have said regarding the right hand makes perfect sense, but I cannot follow your reasoning about the left hand.

Aug 15, 2011
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Re: Left hand fingering for C Major scale
by: Albert

The comment refers to the descending C major scale in the left hand. Hope it's now clear! I'll update the article with this clarification—thanks for bringing it to my attention.

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