Sharps and Flats

Question: How do you know if a note is a sharp?





When the sharp sign (#) is next to the G clef and F clef, how do I know what notes in the music piece are played as sharps?

Albert's reply: One sharp is the key signature for G major and its relative key of E minor.

Here is the key signature you're talking about:It means that every time you see any F on the staff, you need to play F-sharp instead (unless otherwise indicated).

I've highlighted the F-sharps for you in red. Notice how the sharps in the key signature are on F? This is musical shorthand indicating that all the F's are to be played as F-sharps instead, not just the ones on those two lines.

In all standard key signatures, the first sharp is always F-sharp. From there, they simply go up a fifth: The second sharp is C-sharp, the third is G-sharp, the fourth D-sharp, and so on.

Flats start with B-flat and go down a fifth: E-flat, A-flat, D-flat, and so on.

If you download the Major Scales for Piano worksheet, you can see all the sharps and flats in the key signatures in the proper order.




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Sharps and Flats

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May 05, 2010
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Thanks
by: Anonymous

Hi, this piece of music I'm doing has 1 sharp next to the G clef.

So I play all of the notes which are F as F-sharp.

And then if it has 2 sharps I play the note C as a sharp.

The music that I am learning is called "The Fairies' Harp."

It's a bit tricky.

Thanks.

May 05, 2010
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Key signatures
by: Albert

Almost—only if there are 2 sharps in the key signature do you play F-sharp and C-sharp in place of F and C.

Your piece has a key signature of 1 sharp, which indicates either G major or E minor. (You have to tell by the musical context.)

Here is the key signature of 2 sharps:
This indicates D major or its relative minor, B minor.

In addition to the key signature, you can have an accidental (sharp, flat or natural) next to any note in your piece. Then you would need to play the corresponding sharp or flat for that note.

A standard music notation rule is that whenever a note has an accidental, we retain that accidental throughout the measure.

For example, if your piece is in G major and you see a C-sharp in any measure (i.e., not in the key signature, which would indicate a change of key), you'd continue to play C-sharp every time a C is written—but only throughout that measure.

Since it's not in the key signature itself, that C-sharp would be reset to C at the beginning of the next measure (unless there's a C-sharp there as well).

May 06, 2010
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Oh, ok
by: Anonymous

Oh, ok.

I understand now. It's very easy, but some areas are tricky.

Thank you.

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